{"title":"Music","description":"","products":[{"product_id":"im-glad-trouble-dont-last-always-cd","title":"I'm Glad Trouble Don't Last Always - CD","description":"\u003cp\u003eOn \u003cem\u003eI’m Glad Trouble Don’t Last Always\u003c\/em\u003e, his fifth album and third for Bloodshot Records, Luke Winslow-King \u003cstrong\u003edraws from a deep, dark creative well\u003c\/strong\u003e, turning heartbreak and divorce into an inspired soundtrack for picking up the pieces.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eElectric and sentimentally raw, the album is part sonic travelogue, part handbook on navigating the stages of grief. It pulses through LWK’s geographical stomping grounds, starting with the pre-war jive of New Orleans, travelling the bloodlines that flow along the Mississippi River toward the \u003cstrong\u003eDelta bottleneck-slide\u003c\/strong\u003e, and the funky meter of \u003cstrong\u003eMemphis R\u0026amp;B\u003c\/strong\u003e. Further north, it takes a right for an infusion of \u003cstrong\u003egreasy Chicago blues\u003c\/strong\u003e, and arrives at the headwaters of his birthplace in rural Michigan for some tell-‘em-like-it-is confessionals.\u003c\/p\u003e\n\u003cp\u003eThe album was written and recorded while Luke and his newly formed band were on a 2015 \u003cstrong\u003esummer tour in Italy\u003c\/strong\u003e (and later finished in New Orleans’s Parlor Studios, mixed by \u003cstrong\u003eColin DuPuis, engineer for the Black Keys\u003c\/strong\u003e). The New Orleans-based polymath matches a technical wizardry with a thematic immediacy detailing a relationship in freefall. The songs unfold as diary entries put to his idiosyncratic blend of roots, pop and rock. It’s a Luke Winslow-King record unlike any he’s ever done; he’s found the light in the darkness and he’s plugging in and turning up to bare his soul.\u003c\/p\u003e\n\u003cp\u003eThrough nine songs LWK stylistically nods to a blend of \u003cstrong\u003econtemporaries and influences like Gary Clark Jr., Bonnie Raitt, and Ry Cooder \u003c\/strong\u003ewhile maintaining a unique, coherent voice. He forges harmony between the modern - pull up a chair on the porch for the sinister rock \u0026amp; roll growl of “Louisiana Blues” - and the traditional - the cowboy country campfire ballad “Heartsick Blues”, complete with jangly dusty acoustic and the forlorn fiddle of Matt Rhody. The latter draws on some damn fine lyrical reference points, too: “She’s singing ‘Please Release Me’ [a reference to the Ray Price song], and ‘I’m So Lonesome I Could Cry’ [Hank Williams]\/ It’s thinking about her ‘Cold, Cold Heart’ [another Hank classic]\/ That makes me want to die”.\u003c\/p\u003e\n\u003cp\u003eThere are moments of suffering (the Petty-inflected “Change Your Mind”), desperate pleas (the brooding “Esther Please”), anger and indignation (the joyously bouncy, second-line ramble in “Act Like You Love Me”), and resignation (the soulful Muscle Shoals mosey of “Watch Me Go”). It all bottoms out with the shimmering heat of the Delta thrum in the title track. Through the \u003cstrong\u003eslow \u0026amp; lo, voodoo chile attack of il maestro Italian guitarist Roberto Luti\u003c\/strong\u003e, drummer Benji Bohannon, electric bassist Brennan Andes, and keyboardist Mike Lynch, LWK \u003cstrong\u003erips open the Fender and howls at the moon\u003c\/strong\u003e, “When I had you\/ I thought that you’d always be true\/ Now look here, pretty baby\/ Look what you made me do.”\u003c\/p\u003e\n\u003cp\u003eBut there is light at the end of the tunnel. “On My Way” is a \u003cstrong\u003eSunday morning redemption spiritual\u003c\/strong\u003e, part farewell letter and part celebration; the score to the movie’s ending credits, the hope in the sunrise (“I’m on my way\/ Across the golden valley”).  The final track, “No More Crying Today,” reaches a place of forgiveness and strength, a gratitude that emotional pain can make you feel more alive.\u003c\/p\u003e\n\u003cp\u003eAlthough you know he’s been through some turbulent times, Luke Winslow-King fights for a sense of self, perhaps now different than it once was, and comes out the other side knowing of love and loss. Because trouble don’t last always.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eOn My Way\u003c\/li\u003e\n\u003cli\u003eI'm Glad Trouble Don't Last Always\u003c\/li\u003e\n\u003cli\u003eChange Your Mind\u003c\/li\u003e\n\u003cli\u003eHeartsick Blues\u003c\/li\u003e\n\u003cli\u003eEsther Please\u003c\/li\u003e\n\u003cli\u003eWatch Me Go\u003c\/li\u003e\n\u003cli\u003eAct Like You Love Me\u003c\/li\u003e\n\u003cli\u003eLouisiana Blues\u003c\/li\u003e\n\u003cli\u003eNo More Crying Today\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"lukewinslowking","offers":[{"title":"Default Title","offer_id":34580794507415,"sku":"20IGTDLA-CD","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/1661\/6026\/products\/BS244_cover_2.jpg?v=1591720224"},{"product_id":"im-glad-trouble-dont-last-always-vinyl","title":"I'm Glad Trouble Don't Last Always - Vinyl","description":"\u003cp\u003eOn \u003cem\u003eI’m Glad Trouble Don’t Last Always\u003c\/em\u003e, his fifth album and third for Bloodshot Records, Luke Winslow-King \u003cstrong\u003edraws from a deep, dark creative well\u003c\/strong\u003e, turning heartbreak and divorce into an inspired soundtrack for picking up the pieces.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eElectric and sentimentally raw, the album is part sonic travelogue, part handbook on navigating the stages of grief. It pulses through LWK’s geographical stomping grounds, starting with the pre-war jive of New Orleans, travelling the bloodlines that flow along the Mississippi River toward the \u003cstrong\u003eDelta bottleneck-slide\u003c\/strong\u003e, and the funky meter of \u003cstrong\u003eMemphis R\u0026amp;B\u003c\/strong\u003e. Further north, it takes a right for an infusion of \u003cstrong\u003egreasy Chicago blues\u003c\/strong\u003e, and arrives at the headwaters of his birthplace in rural Michigan for some tell-‘em-like-it-is confessionals.\u003c\/p\u003e\n\u003cp\u003eThe album was written and recorded while Luke and his newly formed band were on a 2015 \u003cstrong\u003esummer tour in Italy\u003c\/strong\u003e (and later finished in New Orleans’s Parlor Studios, mixed by \u003cstrong\u003eColin DuPuis, engineer for the Black Keys\u003c\/strong\u003e). The New Orleans-based polymath matches a technical wizardry with a thematic immediacy detailing a relationship in freefall. The songs unfold as diary entries put to his idiosyncratic blend of roots, pop and rock. It’s a Luke Winslow-King record unlike any he’s ever done; he’s found the light in the darkness and he’s plugging in and turning up to bare his soul.\u003c\/p\u003e\n\u003cp\u003eThrough nine songs LWK stylistically nods to a blend of \u003cstrong\u003econtemporaries and influences like Gary Clark Jr., Bonnie Raitt, and Ry Cooder \u003c\/strong\u003ewhile maintaining a unique, coherent voice. He forges harmony between the modern - pull up a chair on the porch for the sinister rock \u0026amp; roll growl of “Louisiana Blues” - and the traditional - the cowboy country campfire ballad “Heartsick Blues”, complete with jangly dusty acoustic and the forlorn fiddle of Matt Rhody. The latter draws on some damn fine lyrical reference points, too: “She’s singing ‘Please Release Me’ [a reference to the Ray Price song], and ‘I’m So Lonesome I Could Cry’ [Hank Williams]\/ It’s thinking about her ‘Cold, Cold Heart’ [another Hank classic]\/ That makes me want to die”.\u003c\/p\u003e\n\u003cp\u003eThere are moments of suffering (the Petty-inflected “Change Your Mind”), desperate pleas (the brooding “Esther Please”), anger and indignation (the joyously bouncy, second-line ramble in “Act Like You Love Me”), and resignation (the soulful Muscle Shoals mosey of “Watch Me Go”). It all bottoms out with the shimmering heat of the Delta thrum in the title track. Through the \u003cstrong\u003eslow \u0026amp; lo, voodoo chile attack of il maestro Italian guitarist Roberto Luti\u003c\/strong\u003e, drummer Benji Bohannon, electric bassist Brennan Andes, and keyboardist Mike Lynch, LWK \u003cstrong\u003erips open the Fender and howls at the moon\u003c\/strong\u003e, “When I had you\/ I thought that you’d always be true\/ Now look here, pretty baby\/ Look what you made me do.”\u003c\/p\u003e\n\u003cp\u003eBut there is light at the end of the tunnel. “On My Way” is a \u003cstrong\u003eSunday morning redemption spiritual\u003c\/strong\u003e, part farewell letter and part celebration; the score to the movie’s ending credits, the hope in the sunrise (“I’m on my way\/ Across the golden valley”).  The final track, “No More Crying Today,” reaches a place of forgiveness and strength, a gratitude that emotional pain can make you feel more alive.\u003c\/p\u003e\n\u003cp\u003eAlthough you know he’s been through some turbulent times, Luke Winslow-King fights for a sense of self, perhaps now different than it once was, and comes out the other side knowing of love and loss. Because trouble don’t last always.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eOn My Way\u003c\/li\u003e\n\u003cli\u003eI'm Glad Trouble Don't Last Always\u003c\/li\u003e\n\u003cli\u003eChange Your Mind\u003c\/li\u003e\n\u003cli\u003eHeartsick Blues\u003c\/li\u003e\n\u003cli\u003eEsther Please\u003c\/li\u003e\n\u003cli\u003eWatch Me Go\u003c\/li\u003e\n\u003cli\u003eAct Like You Love Me\u003c\/li\u003e\n\u003cli\u003eLouisiana Blues\u003c\/li\u003e\n\u003cli\u003eNo More Crying Today\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"lukewinslowking","offers":[{"title":"Default Title","offer_id":34580889927831,"sku":"24IGTDLA-Vinyl","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/1661\/6026\/products\/IMG_2125.png?v=1635290170"},{"product_id":"blue-mesa-cd","title":"Blue Mesa - CD","description":"\u003cp\u003eLuke Winslow-King’s latest album is an example of craftsmanship at the highest level, radiating a warmth and timeless elegance. Adept at \u003cstrong\u003emixing country, blues, R\u0026amp;B, rock ‘n’ roll, and folk influences\u003c\/strong\u003e intuitively and masterfully, Luke shapes a mood from many sources and shepherds it to a unifying place of acceptance and hope. \u003cem\u003eBlue Mesa\u003c\/em\u003e is both stately and approachable, manifestly proficient but deeply personal.\u003c\/p\u003e\n\u003cp\u003eWhat sets this album above the singer and guitarist’s previous work is how he’s absorbed the offerings of a life in music. Born and raised in the Northern Michigan town of Cadillac, he moved to New Orleans at 19 and spent the next 15 years fully immersing himself in the musical waters that flow through there. Now that he’s moved on, it is the larger world, and the people and places in it, that enthralls him. From these travels and friendships comes \u003cstrong\u003ea deeper and richer perspective on the American musical traditions\u003c\/strong\u003e he fell in love with at an early age. \u003c\/p\u003e\n\u003cp\u003eFrom the first track, Luke effortlessly draws the listener into his genre-expansive, dynamic world. “You Got Mine,” co-written with friend and \u003cstrong\u003elegendary local musician “Washboard” Lissa Driscoll\u003c\/strong\u003e (who passed away in September 2017), enchants with its laid back grace. \u003cstrong\u003eDelicate touches of Paul Simon and Robert Cray\u003c\/strong\u003e color this paean to unconditional friendship and camaraderie. With crisp guitar lines evoking Mike Campbell, the gospel-tinged call-to-action “Break Down the Walls” and the easy-country amble “After the Rain” sit astride the solemn and the uplifting. The subtle \u003cstrong\u003eStax-inflected soul\u003c\/strong\u003e of the title track casts a disintegrating relationship against the inspirational scenery of the desert Southwest. “Farewell Blues,” a song written after he found out about his late father’s cancer diagnosis, has a resolute drifter’s wandering heart to guide it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBut no matter where he goes, the current of the Crescent City still tugs at Luke’s music.\u003c\/strong\u003e The sweaty riffs of “Thought I Heard You” are as hot as the beer is cold and the syncopated horns on “Chicken Dinner” are a big, playful flirtation. The \u003cstrong\u003epsychedelic swamp boogie\u003c\/strong\u003e of “Leghorn Women” brims with charm, both suave and sinister, while the \u003cstrong\u003eTom-Petty-on-the-levee\u003c\/strong\u003e vibe of “Born to Roam” makes it a classic-in-the-making road trip anthem.  \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlue Mesa\u003c\/em\u003e was \u003cstrong\u003erecorded across the globe in the Tuscan fortress village of Lari, Italy\u003c\/strong\u003eand features long-time collaborator and \u003cstrong\u003eItalian blues guitar dynamo Roberto Luti, Chris Davis of King James and the Special Men, and Mike Lynch (Bob Seger, Larry McCray) on organ\u003c\/strong\u003e, among others.\u003c\/p\u003e\n\u003cp\u003eLuke Winslow-King has collaborated with New Orleans legends and wunderkinds alike, including \u003cstrong\u003eDr. John, John Boutté, Luti, Little Freddy King, Washboard Chaz, and Meschiya Lake\u003c\/strong\u003e. In addition to holding down residencies at numerous venues and releasing four studio records over the course of nine years, he has toured extensively in North America and Europe, appearing on notable stages such as \u003cstrong\u003eAustin City Limits, New Orleans JazzFest, Azkena Rock Festival (Spain), Paradiso (Netherlands), Maverick Festival (UK),\u003c\/strong\u003e and countless more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist:\u003c\/span\u003e\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eYOU GOT MINE\u003c\/li\u003e\n\u003cli\u003eLEGHORN WOMEN\u003c\/li\u003e\n\u003cli\u003eBLUE MESA\u003c\/li\u003e\n\u003cli\u003eBORN TO ROAM\u003c\/li\u003e\n\u003cli\u003eBETTER FOR KNOWING YOU\u003c\/li\u003e\n\u003cli\u003eTHOUGHT I HEARD YOU\u003c\/li\u003e\n\u003cli\u003eBREAK DOWN THE WALLS\u003c\/li\u003e\n\u003cli\u003eCHICKEN DINNER\u003c\/li\u003e\n\u003cli\u003eAFTER THE RAIN\u003c\/li\u003e\n\u003cli\u003eFAREWELL BLUES\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"lukewinslowking","offers":[{"title":"Default Title","offer_id":34580953694359,"sku":"22BlueMesa-CD","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/1661\/6026\/products\/BlueMesa.jpg?v=1591720824"},{"product_id":"blue-mesa-vinyl","title":"Blue Mesa - Vinyl","description":"\u003cp\u003eLuke Winslow-King’s latest album is an example of craftsmanship at the highest level, radiating a warmth and timeless elegance. Adept at \u003cstrong\u003emixing country, blues, R\u0026amp;B, rock ‘n’ roll, and folk influences\u003c\/strong\u003e intuitively and masterfully, Luke shapes a mood from many sources and shepherds it to a unifying place of acceptance and hope. \u003cem\u003eBlue Mesa\u003c\/em\u003e is both stately and approachable, manifestly proficient but deeply personal.\u003c\/p\u003e\n\u003cp\u003eWhat sets this album above the singer and guitarist’s previous work is how he’s absorbed the offerings of a life in music. Born and raised in the Northern Michigan town of Cadillac, he moved to New Orleans at 19 and spent the next 15 years fully immersing himself in the musical waters that flow through there. Now that he’s moved on, it is the larger world, and the people and places in it, that enthralls him. From these travels and friendships comes \u003cstrong\u003ea deeper and richer perspective on the American musical traditions\u003c\/strong\u003e he fell in love with at an early age. \u003c\/p\u003e\n\u003cp\u003eFrom the first track, Luke effortlessly draws the listener into his genre-expansive, dynamic world. “You Got Mine,” co-written with friend and \u003cstrong\u003elegendary local musician “Washboard” Lissa Driscoll\u003c\/strong\u003e (who passed away in September 2017), enchants with its laid back grace. \u003cstrong\u003eDelicate touches of Paul Simon and Robert Cray\u003c\/strong\u003e color this paean to unconditional friendship and camaraderie. With crisp guitar lines evoking Mike Campbell, the gospel-tinged call-to-action “Break Down the Walls” and the easy-country amble “After the Rain” sit astride the solemn and the uplifting. The subtle \u003cstrong\u003eStax-inflected soul\u003c\/strong\u003e of the title track casts a disintegrating relationship against the inspirational scenery of the desert Southwest. “Farewell Blues,” a song written after he found out about his late father’s cancer diagnosis, has a resolute drifter’s wandering heart to guide it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBut no matter where he goes, the current of the Crescent City still tugs at Luke’s music.\u003c\/strong\u003e The sweaty riffs of “Thought I Heard You” are as hot as the beer is cold and the syncopated horns on “Chicken Dinner” are a big, playful flirtation. The \u003cstrong\u003epsychedelic swamp boogie\u003c\/strong\u003e of “Leghorn Women” brims with charm, both suave and sinister, while the \u003cstrong\u003eTom-Petty-on-the-levee\u003c\/strong\u003e vibe of “Born to Roam” makes it a classic-in-the-making road trip anthem.  \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlue Mesa\u003c\/em\u003e was \u003cstrong\u003erecorded across the globe in the Tuscan fortress village of Lari, Italy\u003c\/strong\u003eand features long-time collaborator and \u003cstrong\u003eItalian blues guitar dynamo Roberto Luti, Chris Davis of King James and the Special Men, and Mike Lynch (Bob Seger, Larry McCray) on organ\u003c\/strong\u003e, among others.\u003c\/p\u003e\n\u003cp\u003eLuke Winslow-King has collaborated with New Orleans legends and wunderkinds alike, including \u003cstrong\u003eDr. John, John Boutté, Luti, Little Freddy King, Washboard Chaz, and Meschiya Lake\u003c\/strong\u003e. In addition to holding down residencies at numerous venues and releasing four studio records over the course of nine years, he has toured extensively in North America and Europe, appearing on notable stages such as \u003cstrong\u003eAustin City Limits, New Orleans JazzFest, Azkena Rock Festival (Spain), Paradiso (Netherlands), Maverick Festival (UK),\u003c\/strong\u003e and countless more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist:\u003c\/span\u003e\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eYOU GOT MINE\u003c\/li\u003e\n\u003cli\u003eLEGHORN WOMEN\u003c\/li\u003e\n\u003cli\u003eBLUE MESA\u003c\/li\u003e\n\u003cli\u003eBORN TO ROAM\u003c\/li\u003e\n\u003cli\u003eBETTER FOR KNOWING YOU\u003c\/li\u003e\n\u003cli\u003eTHOUGHT I HEARD YOU\u003c\/li\u003e\n\u003cli\u003eBREAK DOWN THE WALLS\u003c\/li\u003e\n\u003cli\u003eCHICKEN DINNER\u003c\/li\u003e\n\u003cli\u003eAFTER THE RAIN\u003c\/li\u003e\n\u003cli\u003eFAREWELL BLUES\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"lukewinslowking","offers":[{"title":"Black","offer_id":41266732368023,"sku":"21BlueMesa-Vinyl-Black","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Transparent Blue","offer_id":41266732433559,"sku":"5BlueMesa-Vinyl-TransparentBlue","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/1661\/6026\/products\/IMG_2127.png?v=1635290534"},{"product_id":"everlasting-arms-cd","title":"Everlasting Arms - CD","description":"\u003cp\u003e\u003cem\u003eEverlasting Arms\u003c\/em\u003e is an album like a biography, reading of \u003cstrong\u003eLuke Winslow-King\u003c\/strong\u003e’s road to the current. There are snapshots of picturesque scenes that detail struggle, risk, misunderstanding, and celebration, all of it cumulatively generating growth and eventually a unique sense of self.\u003c\/p\u003e\n\u003cp\u003eHis fourth full-length album \u003cem\u003eEverlasting Arms\u003c\/em\u003e carries on in balancing tradition with modernity. The title track – a re-write of \u003cstrong\u003eA. Showalter\u003c\/strong\u003e’s original – opens with a sauntering Louisiana swing, and a warm introduction of Southern charm as Winslow-King’s sings in his velvety timber, “You can lean on me brother\/ I believe you’ve carried too long.” Between Rose and LWK trading verses and lock stepping on choral harmonies, and the howl of Winslow-King’s bottleneck slide guitar, there is a casual brightness, a familiarity reminiscent of early ‘50s blues \u0026amp; soul 45s but with an updated pop-inflected rootsy twist.\u003c\/p\u003e\n\u003cp\u003eThe collection of 14 songs represents a spectrum of emotions and textures. “Swing That Thing” is a burner; it’s equal parts \u003cstrong\u003eDelta\u003c\/strong\u003e punk rock and jivin’ city blues with a wonderfully raunchy resonator guitar tone that will have you in convulsive fits on the dance floor and Luke’s searing vibrato to knock you on your ass. “Levee Man” is what it would sound like if \u003cstrong\u003eCole Porter\u003c\/strong\u003e wrote a cheeky love letter for the burlesque show, complete with tantalizing trumpet, trombone and clarinet cat calls. And with its kinetic, Friday-night calypso beat, it’s easy to imagine “La Bega’s Carousel” is what \u003cstrong\u003eHunter S. Thompson\u003c\/strong\u003e may have heard inside the corrugated tin-roofed rum dives of \u003cstrong\u003eCuba\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWinslow-King balances the optimism with a spiritually heavier side in tunes like the piano-led ballad “Graveyard Blues,” with its pitch-black lyrics, “They’ll be hanging me tonight\/ When the stars are lit\/ And the moon shone bright\/ I finally found one true way to lose\/ My lowdown graveyard blues.” “Wanton Way of Loving” brings Esther Rose to the spotlight as the misunderstood country belle (“My wanton way of loving\/ Now I’m bound to roam”), showing off her simultaneously steely and porcelain vocal tone, backed by a wilting, wandering violin melody.\u003c\/p\u003e\n\u003cp\u003eRecorded amongst four studios – primarily at Piety Street in New Orleans, and including Jambona Lab in \u003cstrong\u003eItaly\u003c\/strong\u003e to incorporate for the accompaniment of guitarist\/mentor Luti – \u003cem\u003eEverlasting Arms\u003c\/em\u003e marks the rise of a new American songwriter and a group that sets a fresh standard for compositional range and dynamic atmospheric variety.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist:\u003c\/span\u003e\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eEverlasting Arms\u003c\/li\u003e\n\u003cli\u003eSwing That Thing\u003c\/li\u003e\n\u003cli\u003eLevee Man\u003c\/li\u003e\n\u003cli\u003eGraveyard Blues\u003c\/li\u003e\n\u003cli\u003eCadillac Slim\u003c\/li\u003e\n\u003cli\u003eLa Bega's Carousel\u003c\/li\u003e\n\u003cli\u003eThe Crystal Water Springs\u003c\/li\u003e\n\u003cli\u003eWanton Way of Loving\u003c\/li\u003e\n\u003cli\u003eInterlude I (As It Goes)\u003c\/li\u003e\n\u003cli\u003eLast Night I Dreamed My Birthday\u003c\/li\u003e\n\u003cli\u003eDomino Sugar\u003c\/li\u003e\n\u003cli\u003eInterlude II\u003c\/li\u003e\n\u003cli\u003eHome Blues\u003c\/li\u003e\n\u003cli\u003eTraveling Myself\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"lukewinslowking","offers":[{"title":"Default Title","offer_id":34581017297047,"sku":"23EA-CD","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/1661\/6026\/products\/BS216_cover.jpg?v=1591721042"},{"product_id":"everlasting-arms-vinyl","title":"Everlasting Arms - Vinyl","description":"\u003cp\u003e\u003cem\u003eEverlasting Arms\u003c\/em\u003e is an album like a biography, reading of \u003cstrong\u003eLuke Winslow-King\u003c\/strong\u003e’s road to the current. There are snapshots of picturesque scenes that detail struggle, risk, misunderstanding, and celebration, all of it cumulatively generating growth and eventually a unique sense of self.\u003c\/p\u003e\n\u003cp\u003eHis fourth full-length album \u003cem\u003eEverlasting Arms\u003c\/em\u003e carries on in balancing tradition with modernity. The title track – a re-write of \u003cstrong\u003eA. Showalter\u003c\/strong\u003e’s original – opens with a sauntering Louisiana swing, and a warm introduction of Southern charm as Winslow-King’s sings in his velvety timber, “You can lean on me brother\/ I believe you’ve carried too long.” Between Rose and LWK trading verses and lock stepping on choral harmonies, and the howl of Winslow-King’s bottleneck slide guitar, there is a casual brightness, a familiarity reminiscent of early ‘50s blues \u0026amp; soul 45s but with an updated pop-inflected rootsy twist.\u003c\/p\u003e\n\u003cp\u003eThe collection of 14 songs represents a spectrum of emotions and textures. “Swing That Thing” is a burner; it’s equal parts \u003cstrong\u003eDelta\u003c\/strong\u003e punk rock and jivin’ city blues with a wonderfully raunchy resonator guitar tone that will have you in convulsive fits on the dance floor and Luke’s searing vibrato to knock you on your ass. “Levee Man” is what it would sound like if \u003cstrong\u003eCole Porter\u003c\/strong\u003e wrote a cheeky love letter for the burlesque show, complete with tantalizing trumpet, trombone and clarinet cat calls. And with its kinetic, Friday-night calypso beat, it’s easy to imagine “La Bega’s Carousel” is what \u003cstrong\u003eHunter S. Thompson\u003c\/strong\u003e may have heard inside the corrugated tin-roofed rum dives of \u003cstrong\u003eCuba\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWinslow-King balances the optimism with a spiritually heavier side in tunes like the piano-led ballad “Graveyard Blues,” with its pitch-black lyrics, “They’ll be hanging me tonight\/ When the stars are lit\/ And the moon shone bright\/ I finally found one true way to lose\/ My lowdown graveyard blues.” “Wanton Way of Loving” brings Esther Rose to the spotlight as the misunderstood country belle (“My wanton way of loving\/ Now I’m bound to roam”), showing off her simultaneously steely and porcelain vocal tone, backed by a wilting, wandering violin melody.\u003c\/p\u003e\n\u003cp\u003eRecorded amongst four studios – primarily at Piety Street in New Orleans, and including Jambona Lab in \u003cstrong\u003eItaly\u003c\/strong\u003e to incorporate for the accompaniment of guitarist\/mentor Luti – \u003cem\u003eEverlasting Arms\u003c\/em\u003e marks the rise of a new American songwriter and a group that sets a fresh standard for compositional range and dynamic atmospheric variety.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist:\u003c\/span\u003e\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eEverlasting Arms\u003c\/li\u003e\n\u003cli\u003eSwing That Thing\u003c\/li\u003e\n\u003cli\u003eLevee Man\u003c\/li\u003e\n\u003cli\u003eGraveyard Blues\u003c\/li\u003e\n\u003cli\u003eCadillac Slim\u003c\/li\u003e\n\u003cli\u003eLa Bega's Carousel\u003c\/li\u003e\n\u003cli\u003eThe Crystal Water Springs\u003c\/li\u003e\n\u003cli\u003eWanton Way of Loving\u003c\/li\u003e\n\u003cli\u003eInterlude I (As It Goes)\u003c\/li\u003e\n\u003cli\u003eLast Night I Dreamed My Birthday\u003c\/li\u003e\n\u003cli\u003eDomino Sugar\u003c\/li\u003e\n\u003cli\u003eInterlude II\u003c\/li\u003e\n\u003cli\u003eHome Blues\u003c\/li\u003e\n\u003cli\u003eTraveling Myself\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"lukewinslowking","offers":[{"title":"Default Title","offer_id":34581025489047,"sku":"30EA-Vinyl","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/1661\/6026\/products\/IMG_2121.png?v=1635289464"},{"product_id":"the-coming-tide-cd","title":"The Coming Tide - CD","description":"\u003cp\u003eListening to Luke Winslow-King’s third full-length album is like taking a stroll through the artist’s adopted home of New Orleans; his Bloodshot label debut is the sound of community, emotional duality,spiritualism, and lived-on-the-streets-not-stored-in-abottle historical preservation. It is the sound of rickety wooden porches on humid summer days, the grimy streets of New Orleans’ neighborhoods beyond the French Quarter, the celebration and solemnity of centuries old churches and gathering places, and the anything-is-possible attitudes of smoky music halls and folk clubs.\u003c\/p\u003e\n\u003cp\u003eRecorded at Piety Street Studios in New Orleans,\u003cem\u003e The Coming Tide\u003c\/em\u003e brings together Winslow-King’s formal music education with a street-busking resilience, a proficiency on bottleneck slide guitar, the featured vocals (and washboard playing) of Esther Rose, and a cast of A-plus local players. The result is a vibrant amalgam of early 20th century jazz, Delta blues, American folksong, and Southern gospel.\u003c\/p\u003e\n\u003cp\u003eJust as the Crescent City’s famous parades and joyous second lines are known as “jazz funerals without the body,”\u003cem\u003eThe Coming Tide\u003c\/em\u003e asserts that while life’s issues can be dire, there’s always a reason to find the silver lining. When Winslow-King and Esther Rose harmonize like tag-team town criers on the title track, it’s easy to be transported in time and place. “You better come inside for the coming tide,” sung amid a scurrying hi-hat\/tomtom shuffle, buoyant upright bass, and languid brass line, settles the nerves and sends the crowd back home to make amends before the shit hits the fan.\u003c\/p\u003e\n\u003cp\u003eWithout blatantly narrating each scene in a way that other songwriters might, \u003cem\u003eThe Coming Tide\u003c\/em\u003e naturally gives the listener a cinematic feeling of distinct atmospheres,moods and the people that come with them. Rose clickclacks the washboard on “Movin On (Towards Better Days)” while an animated trombone-trumpet conversation brings to life the scandalous, noisy cabaret. “Staying in Town,” a gently waltzing love story between two once-ramblers, plays like a two-minute diddy between cornmeal ads on Saturday evening AM radio. “You \u0026amp; Me” is a crinkled black \u0026amp; white snapshot of nights dancing cheek-to-cheek at the juke joint and \"So Tired\" jumps with a proto-rockabilly energy.\u003c\/p\u003e\n\u003cp\u003eLater Winslow-King turns up the Texas heat on Blind Willie Johnson’s “Keep Your Lamp Trimmed and Burning” and flashes his nearly vocal, rubber band bendy bottleneck slide guitar skill. The album-closer is a pleasantly unexpected, stylistically dark take on Rudy Clark’s “I’ve Got My Mind Set On You” (you might remember the more famous version by the \u003cstrong\u003eTraveling Wilburys\u003c\/strong\u003e) that leaves you wanting more.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist:\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. The Coming Tide\u003cbr\u003e2. Moving On (Towards Better Days)\u003cbr\u003e3. Let 'Em Talk\u003cbr\u003e4. Staying In Town\u003cbr\u003e5. Keep Your Lamp Trimmed and Burning\u003cbr\u003e6. You Don't Know Better Than Me\u003cbr\u003e7. I've Got The Blues For Rampart Street\u003cbr\u003e8. You \u0026amp; Me\u003cbr\u003e9. I Know She'll Do Right By Me\u003cbr\u003e10. Ella Speed\u003cbr\u003e11. I've Got My Mind Set On You\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"lukewinslowking","offers":[{"title":"Default Title","offer_id":34581083259031,"sku":"23CT-CD","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/1661\/6026\/products\/bs206_cover_2.jpg?v=1591721286"},{"product_id":"the-coming-tide-vinyl","title":"The Coming Tide - Vinyl","description":"\u003cp\u003eListening to Luke Winslow-King’s third full-length album is like taking a stroll through the artist’s adopted home of New Orleans; his Bloodshot label debut is the sound of community, emotional duality,spiritualism, and lived-on-the-streets-not-stored-in-abottle historical preservation. It is the sound of rickety wooden porches on humid summer days, the grimy streets of New Orleans’ neighborhoods beyond the French Quarter, the celebration and solemnity of centuries old churches and gathering places, and the anything-is-possible attitudes of smoky music halls and folk clubs.\u003c\/p\u003e\n\u003cp\u003eRecorded at Piety Street Studios in New Orleans,\u003cem\u003e The Coming Tide\u003c\/em\u003e brings together Winslow-King’s formal music education with a street-busking resilience, a proficiency on bottleneck slide guitar, the featured vocals (and washboard playing) of Esther Rose, and a cast of A-plus local players. 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When Winslow-King and Esther Rose harmonize like tag-team town criers on the title track, it’s easy to be transported in time and place. “You better come inside for the coming tide,” sung amid a scurrying hi-hat\/tomtom shuffle, buoyant upright bass, and languid brass line, settles the nerves and sends the crowd back home to make amends before the shit hits the fan.\u003c\/p\u003e\n\u003cp\u003eWithout blatantly narrating each scene in a way that other songwriters might, \u003cem\u003eThe Coming Tide\u003c\/em\u003e naturally gives the listener a cinematic feeling of distinct atmospheres,moods and the people that come with them. Rose clickclacks the washboard on “Movin On (Towards Better Days)” while an animated trombone-trumpet conversation brings to life the scandalous, noisy cabaret. “Staying in Town,” a gently waltzing love story between two once-ramblers, plays like a two-minute diddy between cornmeal ads on Saturday evening AM radio. “You \u0026amp; Me” is a crinkled black \u0026amp; white snapshot of nights dancing cheek-to-cheek at the juke joint and \"So Tired\" jumps with a proto-rockabilly energy.\u003c\/p\u003e\n\u003cp\u003eLater Winslow-King turns up the Texas heat on Blind Willie Johnson’s “Keep Your Lamp Trimmed and Burning” and flashes his nearly vocal, rubber band bendy bottleneck slide guitar skill. The album-closer is a pleasantly unexpected, stylistically dark take on Rudy Clark’s “I’ve Got My Mind Set On You” (you might remember the more famous version by the \u003cstrong\u003eTraveling Wilburys\u003c\/strong\u003e) that leaves you wanting more.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTracklist:\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e1. The Coming Tide\u003cbr\u003e2. Moving On (Towards Better Days)\u003cbr\u003e3. Let 'Em Talk\u003cbr\u003e4. Staying In Town\u003cbr\u003e5. Keep Your Lamp Trimmed and Burning\u003cbr\u003e6. You Don't Know Better Than Me\u003cbr\u003e7. I've Got The Blues For Rampart Street\u003cbr\u003e8. You \u0026amp; Me\u003cbr\u003e9. I Know She'll Do Right By Me\u003cbr\u003e10. Ella Speed\u003cbr\u003e11. 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His earliest records sonically captured the Crescent City with pick-slap playing, jazz, and old-time influences; his more recent works seemed to reflect the sounds of both the North’s urban blues and folk-filled farmland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHis newest release, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf These Walls Could Talk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, was born out of yet another place — a move to Spain for a hard-fought love. Due out May 6, 2022 via Memphis-based Ghost River Records, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf These Walls Could Talk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e is a loose, vibrant record that’s his most defiant to date. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRecorded in January 2020 at Memphis Magnetic Recording Co., Winslow-King united long-time friends and performers from Italy, New York, Michigan, and New Orleans. The band — which features Italian blues guitar maestro Roberto Luti — tracked live with producer Dominic Davis (Jack White, North Mississippi Allstars, Greensky Bluegrass), and their familiarity shines throughout the record. Plus, Memphis royalty including Reverend Charles Hodges (Al Green) and The Sensational Barnes Brothers share their talents on Hammond organ and backing vocals, respectively, adding extra musical muscle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“There's a little bit of that Memphis soul feel mixed in there — somewhere between Michigan and New Orleans, where I've been based all these years,” says Winslow-King. “We didn't know what Memphis would do to the record when we went there, but it was really great to see it come alive in that way and have that collaboration with some heroes from the city there.”  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWinslow-King sings of specific locales throughout \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf These Walls Could Talk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e. “Winds of Aragón” looks ahead, honoring his new home in the north of Spain, while lead single “Lissa’s Song” — an acoustic, chugging ode to the late, legendary New Orleans street musician Lissa Driscoll — looks back on New Orleans. Luti’s slide guitar work adds a haunting element to Winslow-King’s whispering comforts: “You’re in every song now \/ you’re in everything I do \/ and when I feel I’m sinking \/ I will reach for you.” He adds, “It’s a song that me and Roberto have been working toward during our entire career.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOther songs seem to capture a more metaphoric sense of belonging, purpose, or place. Single “Slow Sunday June” is a bouncy love song for life’s smallest moments of bliss, which he describes as “when\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e light falls across the room, when the doves sing, when the bells toll, when waves reflect the moon.” \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Love At First Sight” seems to waltz and saunter around that same room, celebrating such a feeling. And the earnest title track serves as the record’s home. “It's the heart of the theme for the album, exploring that idea of the personification of architecture,” says Winslow-King.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTaken together, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eIf These Walls Could Talk\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e comprises a collection of musical vignettes, windows into rooms of places he’s lived and where others have passed on. “The album celebrates the life of the living and of the departed at the same time, getting into this idea of what lasts of a person when they’ve gone away — this idea that a person can exist in a place and when you leave, something is left behind because of what transpired between the walls,” Winslow-King muses. “These things that remain of people just keep resonating through these songs. That's what ties it all together.” \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eSlow Sunday June\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHoneycomb\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJessie's Love Song\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDon't Tell Me I Don't Love You\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLissa's Song\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWatch Me Change\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWinds of Aragón\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHave a Ball\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLove At First Sight\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLeaves Turn Brown\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"lukewinslowking","offers":[{"title":"Default Title","offer_id":42052231987351,"sku":"SEEN-CD_ITWCT_160","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/1661\/6026\/products\/31DF8865-C434-4CED-BF37-8CA460995BEC.png?v=1651807667"},{"product_id":"flash-a-magic-vinyl","title":"Flash-A-Magic Vinyl","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDistributed by Bloodshot Records \/ Exceleration Music, \u003c\/span\u003e\u003cem\u003eFlash-A-Magic\u003c\/em\u003e\u003cspan\u003e is a powerful showcase of Winslow-King’s ability to channel raw emotion and musical innovation into a cohesive, compelling work. Whether performing in intimate venues or on large festival stages, Luke Winslow-King continues to leave audiences enthralled, eager for the next note in his ongoing musical journey.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eEverywhere You Go, There You Are\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFlash-A-Magic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIf I Were You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBlack Eyed Gypsy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePeaches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAve (Steel Rail Angel)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHow Could I Forget\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBest Be Leavin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGood Morning\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eReleased September 6, 2024\u003c\/span\u003e\u003c\/p\u003e","brand":"lukewinslowking","offers":[{"title":"Default Title","offer_id":44686484373655,"sku":"SEENFlashAMagicVinyl","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/1661\/6026\/files\/XTLPBR043.png?v=1728494723"},{"product_id":"flash-a-magic-cd","title":"Flash-A-Magic CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDistributed by Bloodshot Records \/ Exceleration Music, \u003c\/span\u003e\u003cem\u003eFlash-A-Magic\u003c\/em\u003e\u003cspan\u003e is a powerful showcase of Winslow-King’s ability to channel raw emotion and musical innovation into a cohesive, compelling work. Whether performing in intimate venues or on large festival stages, Luke Winslow-King continues to leave audiences enthralled, eager for the next note in his ongoing musical journey.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eEverywhere You Go, There You Are\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFlash-A-Magic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIf I Were You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBlack Eyed Gypsy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePeaches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAve (Steel Rail Angel)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHow Could I Forget\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBest Be Leavin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGood Morning\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eReleased September 6, 2024\u003c\/span\u003e\u003c\/p\u003e","brand":"lukewinslowking","offers":[{"title":"Default Title","offer_id":44686489518231,"sku":"5 - SEENFlashAMagicCD","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/1661\/6026\/files\/XTCDBR060.jpg?v=1728495161"}],"url":"https:\/\/lukewinslow-king.com\/collections\/music.oembed","provider":"Luke Winslow-King","version":"1.0","type":"link"}